![]() ![]() It, combined with his tonal skills, gave his work a depth and weight that was seldom equaled. His use of pen and brush in the same illustration demonstrated an understanding of the medium that set his work apart from his contemporaries. ![]() His ability to create tones, especially facial characteristics, with his pen and brush were equal to and in some ways better than Gibson and, I think, obviously superior to Flagg. While obviously influenced by Flagg (and Charles Dana Gibson), Godwin managed to create a style that was recognizably his and that stood out from both his idols and the mass of clones that were cropping up everywhere. Illustration historian and critic Jim Vadeboncoeur gave Godwin the highest ranking: Godwin was influenced by Flagg and Charles Dana Gibson, and reflections of both can be seen in Godwin's work. Studying in New York at the Art Students League, Godwin became friends with James Montgomery Flagg and two shared a studio together. ![]() He also was a prolific editorial and advertising illustrator.īorn in Washington, D.C., Godwin was the son of Harry Godwin, The Washington Star's city editor, and in 1905, at age 16, he began as an apprentice on his father's paper. Frank Godwin's Connie (September 1, 1935)įrancis Godwin (Octo– August 5, 1959) was an American illustrator and comic strip artist, notable for his strip Connie and his book illustrations for Treasure Island, Kidnapped, Robinson Crusoe, Robin Hood and King Arthur. ![]()
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